This is an art show we visited more than a year ago and it’s not currently on. But I’ve decided to start my blog with it because it was very inspiring for me. It made me realised what I wanted to blog about and therefore, I owe it a first post here.
I first encountered Ed Ruscha’s work at Tate Modern and have been interested since. He’s called by many the Magritte of Los Angeles and one of the longest living pop artists. He produced all the works for this exhibition in 2016, and it was Gagosian’s first show of Ruscha’s paintings since an exhibition at its Rome gallery in 2014-15.
The novelty of this show is that the words appearing on the artworks were presented in logical sequences and in diminishing or augmenting typeface over a sand background in most of them; and with blue skies over the mountains of California in some other works, combined with a circled selected view that suggests we are having a peep in, but not part of this idyllic scenery.
As per the press release published by Farah Nayeri for The New York Times, Ruscha said about his works at the opening: “I’m not trying to wrap things up or make final statements or capture anything in a big way,” he said. “It’s more like, whatever the voyage is, that’s where I am. I’m just traveling along the tops of things, not trying to bring an answer to anything, necessarily, but just to keep making pictures.”
With the comments above, it appears to me that he doesn’t want to be categorical with these artworks, but exploratory with visual images as well as with words. A search done from a rather logical perspective.
The photo with raspberry adds a new layer to these artworks. She seems to be enjoying the solitude of these mountains and looking at us from within the scenery itself.