Critical readings of the international exhibition landscape
This section brings together critical analysis of modern and contemporary art exhibitions at an international scale. Each review is written by Eva M. Sanchez from direct encounters with works and exhibition spaces.
The texts attend to three dimensions of the exhibition: the institutional and cultural context in which the show is situated, the form in which it is conceived and constructed, and the content of the works and ideas it puts into circulation. The result is rigorous, accessible reflection accompanied by original visual documentation.
The section gradually incorporates new voices, expanding the critical perspective on the exhibitions shaping the international art landscape.
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When perception gives way to sacrifice
Anish Kapoor returns to the Hayward Gallery with an exhibition that is both visually spectacular and emotionally unsettling. While his monumental voids and Vantablack sculptures continue to challenge our perception of space, his recent corporeal works confront visitors with flesh, blood, and sacrificial ritual. This review examines how the retrospective navigates the friction between quiet…
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Rothko’s timeless dialogue with the viewer
What happens when colour becomes a space for contemplation? Rothko in Florence at Palazzo Strozzi explores the artist’s lifelong search for emotional depth, revealing how colour, architecture and silence transform painting into a profound encounter between artist and viewer.
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How hiding reveals the invisible
What happens when air becomes sculpture? At Gagosian Gallery, Christo: Air reveals how wrapping can transform perception, turning empty space into a physical presence while tracing the origins of Christo and Jeanne-Claude’s monumental practice and their pioneering contribution to ephemeral art.
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When mental states find material expression
Veronica Ryan: Multiple Conversations at Whitechapel Gallery surveys four decades of work through sculpture, collage and drawing. Moving beyond themes of migration and memory, the exhibition reveals Ryan’s exceptional ability to give physical form to psychological experience.
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The art of falling apart
Entering Tracey Emin’s exhibition feels less like stepping into a retrospective than into an exposed psychological landscape. Raw, intimate and emotionally charged, A Second Life is the most significant show of her career, and the most emotionally raw proposition on display right now.
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Painting without limits
Katharina Grosse transforms White Cube Bermondsey into a chromatic confrontation. High-frequency pigments, industrial spray and monumental scale combine to make a show where colour stops being something you see and becomes something you feel.
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Street photography that activates the scene
Helen Levitt is no “voyeur” waiting for a lucky break; she is a catalyst. A review of her work at Fundación Mapfre that analyses the street not as a backdrop, but as a performative device and a political battleground.
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Surviving the webs of life
Beyond simple memory, the Hayward Gallery hosts a visceral confrontation between Yin Xiuzhen’s sociopolitical textiles and Chiharu Shiota’s psychological webs. A staggering dialogue between the world we have ruined through rapid modernisation and the body that must endure it.
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Artworks in continuous transformation
Takesada Matsutani’s exhibition, Shifting Boundaries, at Hauser & Wirth London explores over six decades of work shaped by a tension between control and release, where materials are pushed to the point where form begins to emerge on its own.
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The creative director of his own myth
Theatre Picasso at Tate Modern reframes Pablo Picasso not as an isolated genius, but as the architect of his own artistic myth. Marking the centenary of The Three Dancers (1925), the exhibition reveals how he performed his Spanish identity, absorbed the energy of circus and ballet, and transformed painting into a cross-disciplinary stage that shaped…